FINAL STATEMENT OF INTENT.
My crime drama is called “The Missing”. It will be streamed on Netflix and also be promoted on TikTok and YouTube through interviews with the characters. The 3 minute segment will be from episode 4 of my crime drama series. My intention is to create an enthralling crime drama specifically tailored for 12+ year-olds. It revolves around a group of teenagers that killed a classmate and will go to any lengths to cover up their tracks and protect their reputations and futures.
It will reflect recent changes in society as it will be much more inclusive and diverse-following a female protagonist.. Set in the seemingly idyllic town of Crestwood, my story follows a close-knit group of friends whose lives are shattered when they find themselves breaking the law. The plot strategically employs unreliable narration, creating an immersive experience that challenges the audience's perceptions. One location in my crime drama is in a private setting- preferably inside the protagonist’s house and another will be residential streets of Chiswick.
I will subvert stereotypes through the character of Sabrina Aziz as she is the main protagonist of the show. She is very outspoken and dominant. The protagonist in my crime drama defies the traditional portrayals often seen in British film and TV. Breaking free from stereotypical moulds, Sabrina challenges preconceived notions by embodying strength, intelligence, and resilience without succumbing to overused tropes. As an intersectional feminist, she navigates the complex web of crime-solving while addressing issues of gender, race, and class. Sabrina’s character not only subverts expectations but also fosters a more inclusive narrative, offering audiences a fresh perspective on crime dramas in the British entertainment landscape.
My crime drama will intersect with racial and gender biases, shaping the way ethnic minorities are perceived and understood. In the context of a crime drama aimed at a young audience, the media has a responsibility to challenge stereotypes, providing more nuanced and authentic portrayals that contribute to a more inclusive and informed narrative. Such narratives can empower young viewers to critically engage with media, fostering a more diverse and equitable understanding of marginalised groups in both fictional and real-world contexts.
Through the use of Todorovs theory of equilibrium, I will establish scenes of disequilibrium which will also be the climax of my crime drama. I will also use Gilroy’s theory of double consciousness to emphasise the reality of people of colour living in Britain that is often misrepresented in western media. Especially through the character of Halima Ali who epitomises the cosmopolitan nature of contemporary Britain.
Using Ferdinand de Saussure's semiotic theory in my crime drama, I will play with signs and signifiers to create ambiguity and suspense by introducing symbols and signs that can have multiple interpretations. This could include mysterious markings, cryptic messages, or symbols that characters discover, leaving room for speculation and confusion among the audience. The audience psycho graphic it would tailor to would be “seekers” as they actively look for excitement and action.
Drawing from the narrative technique of 'unreliable narrators,' our protagonists find themselves too deep into their webs of deceit as they grapple with the consequences of a crime they did indeed commit. This deviation from traditional storytelling conventions adds layers of complexity to the characters and intensifies the emotional investment of the audience. This will keep my 12+ audience on the edge of their seats, incorporating relatable themes like friendship, resilience, and problem-solving, further engaging the audience.
I will use a range of camera-shots and angles in order to perpetuate a traditional crime drama. I will do this by slowly zooming in and out of scenes, using many close up shots in order to emphasise characters emotions such as fear and anxiety. This same fear and gaiety will be reflected in my audiences watching the series from the comfort of their own homes, whether that be on the TV or an ipad.
In creating “TV scope”, my vision is to craft a print film magazine that serves as a conduit for passionate fans of television, particularly those interested in crime dramas such as my own, “The Missing." Through TV scope, I aim to provide an immersive and enriching experience for readers, offering an exclusive interview with the protagonist Sabrina Aziz and Halima Ali- with a focus on character dynamics and behind-the-scenes features. TV Scope seeks to celebrate the artistry and impact of "The Missing" while fostering a community of dedicated enthusiasts. Through this print film magazine, I intend to provide young readers with a comprehensive exploration of the series, delving into social media crazes and character relationships.
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